Work
Going Like Mad
for piano (four hands)
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Borrow/Hire:
To borrow items or hire parts please email SOUNZ directly at [email protected].
About
The title of this piece was taken from the end of James Joyce’s Ulysses, inspired by the text’s rhythmic continuity and exuberance. It is designed to turn the piano into a kind-of deranged machine, flirting with total pandemonium.
Commissioned note
Commissioned by New York’s Continuum ensemble
Dedication note
for Joel Sachs and Cheryl Seltzer