Work
But buried dust and rusted skeleton
for bass flute and bass clarinet
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About
The material of But buried dust and rusted skeleton takes shape within a predetermined environment. This environment is a spatial-temporal scheme defining the trajectories of the two instruments through the pitch space and establishing temporal nodes onto which the material may eventually attach itself or which may impact the inner morphology of the material. Taken from a poem by Ezra Pound, the title hints at the inner archaeology of the creation of works of art.
Commissioned note
Commissioned by the Society for Slovene Composers
Dedication note
Dedicated to Anja Clift and Valentina Štrucelj
Contents note
one movement